By Kimberly Jannarone
Kimberly Jannarone indicates that Artaud's paintings unearths units of doubles: one, a physique of particularly chronic got interpretations from the yank experimental theater and French post-structuralist readings of the Sixties; and, , a darker set of doubles---those of Artaud's contemporaries who, within the tumultuous, alienated, and pessimistic surroundings enveloping a lot of Europe after global battle I, denounced the degradation of civilization, yearned for cosmic purification, and referred to as for an ecstatic lack of the self. Artaud and His Doubles will generate provocative new discussions approximately Artaud and essentially problem the best way we glance at his paintings and ideas.
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Artaud and His Doubles (Theater: Theory/Text/Performance) by Kimberly Jannarone